Showing posts with label Polaroid Family Tree. Show all posts
Showing posts with label Polaroid Family Tree. Show all posts

Wednesday, January 21, 2009

In Volume

(Polaroid Family Tree (Oct. 08 - Jan. 09), 24x40inch ink-jet mounted on to wood)

The As-Of and On-Going Polaroid Family Tree will be presented for the wondering eyes of those who find themselves in the corridors of the transit space of Ontario College of Art & Design ...University next week, for more info click on the image below. Hope to see you at the opening reception.

Thursday, January 15, 2009

Inertia

(The Technicians, inserts from The Polaroid Family Tree, 2009)


Set forth your shadow, for we need not worry no longer.

A tired man sleeps at the footsteps of his son's house; inside is a family growing, living, and eating away their dinner, with smiles and half-mooned eyes. There could be no harm in their moment, but there is a man outside, not known to them, and will remain unknown once this man discovers his waking body on the steps of a stranger's house. He does not know of what happiness lies beyond those doors he sleeps in front of every Tuesday and Sunday, but he hopes one day he will be able to meet the faces that live just behind two inches of oak.

Holding his breast pocket, he feels the surface of a letter that has seen better days, that has seen too many days, and the old man no longer remembers what is inside this letter, nor why he appears on those steps twice a week for what has been a long time. The family within has taken notice of him, but chooses not to disturb him for this old man does not disturb them as he peacefully sleeps in his crossed arms, appearing to be waiting for something.
I have forgotten my keys, I can no longer open the door to your room, and it has been so long that your room is now a house, that there is now a family in there, and that I have pushed myself so hard and for so long, that I can't help the inertia that separates me from you. That I am sorry, of my many failures, of my many regrets, and of my many fears. I can no longer ask you for a spare, nor look underneath the welcoming rug for a way in, for I am no longer welcomed, and the mistaken man who thought he was a father is no longer, that a stranger now walks in his shoes, and clothes, posing as phantom. I ask nothing, and yet I am here, in front of your door, waiting for something, something not even I know exist.
I am here, right now, and everyday for you to banish me. And to forget who I wasn't, before you forget who I am.

Monday, October 20, 2008

Nothing.

(Polaroid Family Tree, 2007-2008)

I don't really have a story for this week, but I'll try to pull something out of somewhere here goes....

Nothing. You know when there is nothing around and you can hear that static noise. It's weird because your ears ring from the silence and it almost hurts. When I was traveling the land on my snail, we encountered many things, such things as wolves, big and scary, to normal; non-fantasy-sized wolves, and then when I thought I saw every creature this land had to offer I see a giant made of boulders. He wasn't very bright, but he was kind, and to spite having a heart made of stone, he had the biggest heart I have ever seen, both literally and emotionally. He was the first one to tell me nothing. He said nothing and nothing was going on, all around, that I should watch out. I asked, for what? He corrected himself with more loud and rocky sounding clearing of the throat and told me, yes, "Nothing". So we said our goodbyes and made out separate pathes, probably bond to see each other later towards the climax.
On the path to nothing you don't really know where you're going but you know you're going the right way when you see everyone and everything running the opposite way, this is how I will learn entirely nothing. I had been given many warnings of my course of direction, and even my snail was feeling unsure of where we were going but he still pushed on without slowing pace, we were looking for nothing. The trees were split, rocks thrown then smashed and I feared we were too close to nothing, but still the snail and I carried on. A young indian boy came to ride beside me, said I was fearless if only I knew what I was going against. I said I wasn't going against anything really, just curiousity, there was nothing else to do. He didn't look to happy but like my snail he continued to the path of nothing. He told me of his land, just beyond the dark scary clouds with the lightning bolts and rain, how it was far different from what it was now, that he never even seen lightning before nothing happened. His people were kind folk, that they were great musicians, and invented the first electric piano synthesizers, and the mohawk originated from there, and leather pants too, they were totally his tribe's gear before the fad. I was rather lost on what he was talking about but he was better entertainment than nothing. So we continued, I minded my stories of my land, couldn't really relate to the young indian boy since my land was probably still standing, having nothing to do with nothing, it was a boring place and so my people called it, Porage. But since you're listening, and I have built all this up about how boring it was, I might as well give you my two cents on the land of Porage. My people were made of clay, brought to life by hands of thunder bolts and lightning, true story since we are a relatively new type of people, only 10, 000 years old, even the rock people are triple that, I can only imagine how old the indian boy's people were, probably the oldest, anyhoot, the other cent was that we believed in nothing, we even questioned our faith in our creation, but still acknowledged it. We just didn't like belief, sure we had assumption of things and the order of the world but we had no way of really knowing if it was true. So it didn't take long for the people neighboring our land to hate us, starting with the troll people, eventual even the giant turtle people, they all semi-hated us, just because we never believed in anything they said. We didn't believe in what we were even saying! And so that is my story of my land and of my people, I left them because I didn't believe in them, and now that I think of it, I'm not even sure if they existed in the first place, there's no going back now because it's probably nothing now.
The young indian boy stopped me when we saw the largest wolf we had ever seen in our whole lives and told me to run. I wasn't getting off my snail and my snail couldn't run, it was fast but it just did whatever snails do, roll-slide-fall-get-up. We just stood there, not caring for this big bad wolf, we had traveled too far and too long for this to end here. The wolf came closer, and then even closer, talking, yes, in human english, and when it spoke, it told us to beware. Of what? Nothing? He laughed then looked deep into our eyes, his eyes in brilliance blood red glow. "You are going to die!" "Silly", and then we started on our way again, and the young indian boy said to the snail and I, "I'll handle him, get out of here while you still can, go, run!" I said goodbye and to even take care, he didn't say anything back, and it felt kinda rude but I didn't really believe in manners anyways. And so we were off again, on the road, to nothing.

The rest of the story consist of a mighty battle between good and nothing, evil and nothing, nothing and nothing, and you can probably imagine how boring, Porage-like, that would all be, but the heroes, or antiheroes in this story don't live, they thought that would make a better story if they didn't. And so, nothing happens in the end of the story, and the moral of it all is...



And the giant rock man never ended up meeting back up with the snail and the man. He died of a heart attack somewhere along the way to the climax.
The End.