Showing posts with label faye mullen. Show all posts
Showing posts with label faye mullen. Show all posts

Friday, January 22, 2010

Give A Little (Take A Little)

(faye, pine, and mel camino, January 20th, 2010)


I'll meet you halfway, where the getting gets tough, and we'll have to use our life jackets for fire wood. I'll turn my bed into a boat, and we could live there for a while (an evening). We'll throw records on the player, I'll pull the pulleys and put the needle on right; a drop as quiet as a mouse fart. With each rotation, with each hiss, crackle, and pop we'll melt before the lamp and a dancing flame. Remember this time, remember that time, and let it all come back. Before we were, after we weren't, and what we are now, who you are, and who I transformed into, with awkward shoulders and naked in a broken miniature house. I'll operate on your hand, I'll pick away at it until all the splinters are gone. I'll hold them before your giant eyes, and you'll lick them clean off, and swallow whole the history of everything that once was.
A broken tree is cut down; the sons of farmers turned to a lifetime of being lumbermen, a tree grows alone in a forest, and over hundreds of years it has made millions of friends. A son loses his arm but gains a family. The axe is put on a plank and raised to live over the family couch where it collects the dust of a daughter, of a son, of a father, and of a mother for what would be a decades and a half before the son of a son is old enough to fit his father's shoes on.

Outside, just feet from the house;
upon the first strike the son's arm withholds a quake that rocks his shoulders and jolt the roots his teeth. The axe drops and the son of a son never holds an axe again in his life. Through the window a mother looks to her one-armed spouse who cuts wood humbly off only few feet from his offspring. The father sees his son walk away from his fallen axe, and looks down to the axe and see visions of blood and bone, and a tear forms in the crest of his eye; this one is for my dead arm his wet eye says (drop). The father comes around, grabs his old axe for the first time since his accident, holds it firm in his good hand, his only hand, and takes a swing at that tree with a cat scratch from the previous axe attack, and strikes not once, but a second, third, fourth, and etcetera until the tree has lost the fight. With a sudden release the tree falls, crushes the man, and runs a line to destroy everything this man loves. The house falls, the son, fresh from his attempt at his father's shoes, cries in his room before the ceiling gives. From her kitchen window, the mother witnesses her spouse be destroy and decides to watch her demise as well. And of the daughter, we don't know, she was off in the woods too far from this narrator's eyes.

Years pass.


More years pass.


...

The house falls to legend, and told over campfire for years to come, but those days are no longer. The house has been taken by trees, and until a year ago hasn't see a human in what could be ages of Aquarius', and all the discoverers see is a lone oak that is cut perfectly and ready to be processed. The discoverers call their truck over, use rope to secure their bounty, and off they go to a plant where the tree will undergo a complex system of formatting only to be put into separate trucks and delivered to several lumber yards (four to be exact).

Where we bring you back into this story is when you are walking through a warehouse and spot a piece of wood that, in your eyes, is perfect. The piece is taken into your hands, and it's curse is cooled to your touch. In the next few days, what you end up doing to that piece of wood is rather graphic, so I'll omit the details, leaving you with splinters, and those splinters I end up having to pull from your hands, under a magnifying glass, the same glass I used on my father's splinters, and now your hands bring me joy in the act I call smoothing your hands once more.

The licked and consumed splinters travel through your body, and eventually they are disposed in means I would like to not mention, and that your unmentionables travel through a complex system of plumbing before they end up in some plant where they are filtered, and another complex system occurs, and a few more vastly interesting and complex things happen before we end up at the conclusion to this story.
Three, four splinters after what-could-be-the-worst-way-go-to, are reunited with the earth again. They make sweet-sweet love to the earth and as a result for their act, they form life, and this narrator comes to his conclusion by quoting Elton John.
From the day we arrive on the planet
And blinking, step into the sun
There's more to see than can ever be seen

More to do than can ever be done

There's far too much to take in here

More to find than can ever be found

But the sun rolling high

Through the sapphire sky

Keeps great and small on the endless round


It's the Circle of Life
And it moves us all

Through despair and hope

Through faith and love

Till we find our place

On the path unwinding

In the Circle

The Circle of Life

Thursday, March 12, 2009

We Have To Talk

(Untitled #01, The Untitled Collaboration of Brendan George Ko and faye mullen, 30x40" c-print, 2008)
Today I had a really good talk with a friend about the document of photography. How it is a challenge to see a photograph as a true representation of the moment. How we struggle over and over, again and again with a new challenge for each fold of repetition to preserve a moment. I have become obsessed with the documentation of my life, not in the sense of representation of my existence but rather the existence of others. There have been so many people in my life that hold a permenance within me, that have changed the fabric of me by their influence, and I am held humble to have knowing them, but also to have been graced by their presence. Maybe I am too honorable, perhaps even hopelessly devoted, but I want to remember certain details of my life forever; passing my lifetime, and beyond as the memory of those I have known are encapsulated behind the layer of film. This layer presents the end of tangibility of change to happen as we look at the photograph's stillness, and it is this layer that preserves the moment from the erosive nature of time. And in time, even those memories will fall to nature as they decay like my own memory; as a childhood is forgotten to a new age. It is in this repetition of representation, of those I have known and the places I have been, that my history is remembered. Leaving my ideas of an artist behind, I see only a camera as a form of utility; a reflex of my desire to remember, as everything in-between shifts the focus of who I truly am, and my passions, making me into something else. What can the image of our past say once we are gone? Does it matter, once we stop, we are only photographs; captured memories. A truthful portrayal is death, as the moments that happen in-between the frame, moments uncaptured by silver, are what continues once we are shadows, and in a sense, we live, eternally, as unspoken mysteries to the world we leave behind.

Monday, February 23, 2009

We Have A History

Here it is, after almost a whole year in the making, with 24 photographs and 3 installation pieces from eight artists.

Interpersonal relationships come and go. The residue that lingers is a mark of their permanence, whether it is between person, object, or moment. Out of these relationships develops individualized notions of history estranged from traditional linear trajectories. Through themes of history and relationships, We Have A History presents a group of photographers and sculptors that explore relationships between individuals, generations, objects, and the past to the present.

Work by:
Danielle Bleackley
Michele Crockett
Alex Kisilevich
Brendan George Ko
Christina Kostoff
faye mullen
Raffy Ochoa
Amanda Rataj

Curated by Brendan George Ko




Wednesday, January 21, 2009

In Volume

(Polaroid Family Tree (Oct. 08 - Jan. 09), 24x40inch ink-jet mounted on to wood)

The As-Of and On-Going Polaroid Family Tree will be presented for the wondering eyes of those who find themselves in the corridors of the transit space of Ontario College of Art & Design ...University next week, for more info click on the image below. Hope to see you at the opening reception.